Renown music-video director Anton Corbijn created an art-scene frenzy with his Joy Division biography, Control, back in 2007/08. Without any intended irony, we love that this production is so non-American (Hollywood) in its casting. All of the players surrounding Clooney should vie for the spotlight here, especially Thekla Reuten (if you've seen In Bruges, you'll know who she is) and the sensation-causing Violante Placido. Meanwhile, screenwriter Rowan Joffe has our attention, but more so for another 2010 film, Brighton Rock, his adaptation of Graham Greene's novel, which also finds him making his debut as director.

Historically, Labor Day tends to be a snoozefest in terms of new releases, but not this year, since Robert Rodriguez's long-awaited Planet Terror spin-off is finally set for release, in the wake of The Expendables' success, no less ... Danny Trejo's knife-wielding character was generating his own folklore, as it appeared the project was just another one of Rodriguez's great genre ideas, but everything came together in mid-2009 as cameras rolled that July in Austin. We're psyched for the Lindsay Lohanness, but really we're primed for more Cherry Darling and Jessica Alba playing opposing twin sisters. We hope the franchise talk -- both Rodriguez and Trejo have a trilogy in mind -- comes to fruition. Can we start to dream about Sin City 2 again?

Matt Dillon is back on the right side of the law after Armored, but the real question here is: How do you promote a movie featuring one currently incarcerated musician/actor (T.I.) and post-Rihanna Chris Brown, whose fame allotment has been nearly drained. Suddenly, heist movies don't seem fun anymore.

Eli Roth (in producer mode here) and Lionsgate are testing the Paranormal Activity theorem here: can you turn a low-budget horror/thriller with no stars into a hit? Director Daniel Stamm caused a minor genre stir back in 2008/2009 with A Necessary Death; screenwriters Huck Botko and Andrew Gurland are back in theaters on September 10 (as co-directors) with a completely different project, The Virginity Hit, and we think they had something to do with this viral video. Funny or Dead?

Drew Barrymore and Justin Long's on/off/on romance is like a real-life Paper Heart. Maybe that's what attracted documentarian Nanette Burstein (American Teen, The Kid Stays in the Picture) to make the jump to feature filmmaking.

Scott Pilgrim and Elizabeth Gilbert might find themselves defeated by a handful of old guys this weekend. My only questions here: Why did Sylvester Stallone not turn this screenplay into Rambo V? And who thought the name Barney Ross sounded tough?

Will Ferrell looks to put Land of the Lost behind him with a can't-miss late-summer comedy directed by his best handler, Adam McKay. Though New York City wasn't so kind to Ferrell the last time around. Funny that this will be the movie to topple Inception from its position atop the box-office.

While Liz Gilbert liberates herself on her globe-spanning trip, Julia Roberts might be feeling the pressure to deliver a major box-office hit, since Sex and the City 2 derailed the momentum earned by Mamma Mia!, Julie & Julia, and other "women's films". Still wondering what attracted subversive writer/director Ryan Murphy ("Glee", "Nip/Tuck") to the project, but I'm more curious whether Ms. Robert's let actual mosquitoes feast on her in India.Will Murphy + Roberts reunite for a second movie? They are both attached to an untitled romantic comedy where an executive learns to readjust to life at home with her kids after losing her job -- sort of like if Danny Moder became the breadwinner of the Roberts household.P.S. Did you know you can purchase the aromas of Ms. Gilbert's reawakening?

Our founder has already called this "the movie of the decade".

A sequel? Surely. While the original Nanny McPhee wasn't a textbook blockbuster, it earned over $100 million in theaters (worldwide) on a reported budget of $25 million. Maybe Nanny McPhee teaches economic lessons to the farm kids here.