JoomlaWeb

I am one of those people who feels that Tim Burton's artistic vision is directly in line with Lewis Carroll's novels, and he is one of few filmmakers who can get away with asserting that a likable movie adaptation has never been made of this story. It is, of course, interesting to hear this from the man who made Charlie and the Chocolate Factory ...

Overture Films lost a bundle with Righteous Kill but the reunion of Ethan Hawke and his Training Day director Antoine Fuqua is pretty much a can't-miss shot at success, right? The trailer offers equal doses of machismo, stress, and style, though I paid the most attention when Don Cheadle shared the screen with Wesley Snipes, since their wedge of the story reads as though it has the most layers -- even though we've watched an infinite number of cops get way-too-undercover over the years. Also: Couldn't Mr. Fuqua direct a film like this in his sleep at this point in his career?

Strike through all those notions of awards-season glamor for this reunion of Marty and Leo, since reports of marketing-budget shortfalls and promotional challenges (aka DiCaprio's availability) shuttled the movie into the middle of winter. Don't think it'll hurt the thriller's box-office, though, since it's been testing through the roof. Nikki Finke digs out the scoop.

So this is first time Kevin Smith has directed someone else's screenplay; technically we could get behind this idea if co-writers Robb and Mark Cullen were a little less green (they're making the jump from ho-hum TV shows). We hear the script was blacklisted, but nothing we've seen on celluloid makes us believe this story is a precious resource. Considering the project originally was set to star Robin Williams -- back when it was known as A Couple of Dicks -- and that Kevin Smith has received more attention for being too girth-y for Southwest Airlines than for being a movie director, maybe Warner Bros. was right to bury this one in the snow.

James Cameron's response to upping the world of visual effects? He takes a new approach to 3D -- all the way down to creating his own cameras -- and augments the natural world by introducing new plant life and creatures to the aforementioned band of humans. It's the kind of anticipation that even makes President Roslin swoon. Meanwhile, Sam Worthington quietly has become new face of sci-fi. That makes us swoon.

As distributor Overture Films is about to be sold off by its corporate parent, direct Breck Eisner is preparing to remake both Flash Gordon and The Brood as his next projects -- further proof that Hollywood's water supply is full of insanity-inducing toxins.

Harry Potter is going out of business, and Hollywood still hasn't found his successor. The Lightning Thief is book one in Rick Riordan's series of five proper novels to date; can Philsopher's Stone director Chris Columbus put this franchise into motion? The young adult in all of us could use a new hero, and Columbus's career needs a renaissance as well.

New Line Cinema, working for Warner Bros. here, looks to repeat their He's Just Not That Into You success by hauling that movie's formula across country. The project lost Katherine Heigl in transport but replaced her with every other top actress who was not in the aforementioned movie. Can we hope for a little edge and unexpected plot turns here? Maybe a "hard PG-13"? Of course not. But you can rest assured that a sequel, New Year's Eve is coming in late 2011!

A late entry into this year's awards sweepstakes courtesy of Fox Searchlight and first-time director Scott Cooper, Crazy Heart doesn't sound like the story offers anything new, however, the idea of watching Bridges sing, drink, puke, cry, and redeem is undeniably appealing. Assuming Bridges will earn a Best Actor nomination, you might want to revisit Tender Mercies, the Oscar winner to which Heart is intimately linked.

Lasse Hallstrom is a perfect director pick for this adaptation of the novel by Nicholas Sparks, the John Grisham of romantic drama. Herein, Channing Tatum earns a chance to flex his dramatic abdominals, Amanda Seyfried wipes away her tears for what will be her weepy year (get ready for her Letters to Juliet in May), and Richard Jenkins lines up a potential second Oscar nomination for his part as supportive parent.